[Mill Valley]: Amorphia, ca. 1972. Issued by Amorphia, the first organization devoted to marijuana research and legal reform, to raise money for their cause through the sale of these cigarette papers. The George Washington portrait is the one used on the dollar bill, the verso prints Amorphia's mission statement. Nicely..... More
n.p.:n.p., [1967]. The photo shows the outside of the Cafe Bizarre at night with its "spooky" decorations around the door and the huge "Rick Allmen's Cafe Bizzare" banner hanging out front as people walk by on an evening in the Village. The Cafe Bizarre was one of the most conspicuous..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. The Diggers request help from the hip community to bring their "hotel" up to code asking: "Please help. It will be free to all when it's done." They go on to explain their intentions to "have an all night center, sack out..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
SF: Chester Anderson, 1960. A magazine of commentary and humor from San Francisco. This issue is a parody of the Beats and beatniks. Chester Anderson, later active in the hippie community in the Haight-Ashbury, is the anonymous writer of most of the material. Includes "Orgy Time in Beatsville," "Notes on..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were..... More
Buffalo: Committee on Public Service of the Advertising Women of Buffalo, ca. 1969. 8vo. Printed on both sides, illustrated. The flyer is aimed at concerned parents who may be worried that their kids are using drugs: "Is Your Child Carrying a Cigarette or MARIJUANA? Aspirin or DOPE?" Advertises "Analysis Anonymous"..... More
n.p.: n.p., n.d. [ca. 1970's]. Oblong 16mo. Softbound. First edition. Scarce photographic "study" with unintentionally humorous text featuring accounts of people's experiences with this lifestyle. Retro '70s vibe and tame by current standards. A difficult title. A couple of small cracks to spine but binding solid, else near fine... More
NY: William Drenttel, 1992. Hardbound in cloth and marbled paper-covered boards. First edition. One of 100 numbered copies signed by the author (of a total edition of 450). A handsome production on Zerkall mouldmade paper. As new. More
n.p.:n.p., [2004]. Very realistic, colorful note created by Banksy with a portrait of Princess Diana on the front and the motto: "I Promise to Pay the Bearer on Demand the Ultimate Price." The back features Darwin's image and the statement: "Trust No One." These were handed out at the preview..... More
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first..... More
NY: Mokotoff Gallery, 1986. Exhibiting artists included Basquiat, Haring, Wojnarowicz, Borofsky, Baumgardner, Baechler, and many others. Stamped and addressed to artist Melissa Meyer. Scarce ephemera from this show very much reflective of the NYC avant-garde of the '80s. Fine (5.5" x 7.5"). More
NY: Bruno Bischofberger/Mary Boone/Michael Werner Gallery, 1984. Nicely printed in green and black on textured beige stock. An early show for Basquiat. Fine (5" x 7"). More
NY: Annina Nosei, 1982. The front of the card features a reproduction of one of the works from the portfolio, with publication and gallery info on the back. Printed in gray and black on white stock. Nosei was Basquiat's first dealer who put on his very first US exhibition the..... More
n.p.:n.p., [1980]. Handbill for an alternative group show featuring "Art, Politics, Performance & Film." The "exhibition documented the convergence of punk/no wave, wild style, conceptual street work, radical feminism, gay liberation and the burgeoning neo-expressionism that would set the agenda for the dynamic New York art world of the early..... More
NY: Anne Plumb Gallery, 1987. Organized by Steven Harvey, the show ran from Dec. 19th, 1987 to Jan. 23rd, 1988 and included work by Basquiat, Kounellis, Broodthaers, Nauman and Byars. Printed in black on gray stock. Stamped and sent through the mail. Near fine. More
Rotterdam: Galerie Delta, 1986. Promotional poster for the 1986 "To Repeal Ghosts" exhibition at Gallerie Delta, a small show consisting of just four paintings acquired by Hans Sonnenberg, the owner of the gallery. It reproduces a painting by Basquiat of fellow artist Jack Walls. According to Walls, he and Basquiat..... More
n.p.: Privately published by the artist, n.d. The photograph shows three different views of a lion with a painted border by Beard. Hanging on the walls in the background are framed works by Beard. Presentation copy inscribed by Beard to Sam Green. Along the top edge Beard has written: "Special..... More
n.p.: Privately published by the artist, n.d. The two photographs are printed on a single sheet, one shows Pablo Picasso with Peter's handprint and other embellishments, the other features Andy Warhol in Montauk on his birthday in 1972 with painted enhancements by Beard. Presentation copy inscribed by Beard to Sam..... More
n.p.: n.p., ca. 1959. Cardboard box printed with charming drawings of beatniks and beatnik phrases. The box contains 24 folding illustrated notecards. They feature 3 different beatnik-themed drawings, with 8 cards of each design. There are also 8 sheets of red stickers printing beatnik phrases to embellish the cards or..... More
n.p.: Privately published, n.d. Features a unicorn pulling a snail whose shell is a castle. Signed by Beck and dated 1982. Small soiled spot, else near fine (10.5" x 13"). More
n.p.: Privately published, 1965. Among the images is one of Bob Dylan. Printed in black on yellow stock. (Support the Revolution, p. 172.) Fine (21" x 17"). More
Pasadena: Armory Center for the Arts, 2011. Nicely designed catalog and 38 unbound plates (some in color) reproducing works by these artists enclosed in a cardboard box with printed label. First edition. Published on the occasion of an exhibition exploring the work of these two influential Southern California artists. As..... More
SF: Batman Gallery, 1961. Poster announcing this important early show for Herms. Features a photograph by Berman of Herms in biker regalia standing next to one of his assemblages (Support the Revolution, p. 176). Printed in red and black on thin beige stock. A scarce early item from the West..... More
n.p.: Privately produced by the artist, 1962. Small framed etching that Berman found and gifted to Meltzer. Inscribed on the verso by Berman who has done a small drawing of Meltzer: "HAPPY BIRTHDAY DAVID From Wallace, Shirley & Tosh 1962." A charming artifact linking these two longtime best friends. The..... More
