[SF]: Communication Company, [1967]. 4to. Broadside. First edition. The Diggers request help from the hip community to bring their "hotel" up to code asking: "Please help. It will be free to all when it's done." They go on to explain their intentions to "have an all night center, sack out...
[SF]: Privately published by the Diggers, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a....
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were...
n.p.: n.p., n.d. [ca. 1970's]. Oblong 16mo. Softbound. First edition. Scarce photographic "study" with unintentionally humorous text featuring accounts of people's experiences with this lifestyle. Retro '70s vibe and tame by current standards. A difficult title. A couple of small cracks to spine but binding solid, else near fine.....
n.p.: Privately published, ca. 1967. Issued by the hippies in the Haight-Ashbury during the "Summer of Love." Handed out to straight people and tourists to provide them with "safe passage " through the hippie populated streets of the Haight-Ashbury and elsewhere. "Housewives...students...parents...athletes...doctors...squares...Indian chiefs...policemen...Have you heard of all those wild rumors.....
London: Phaidon, 2005. Thick, small 4to. Hardbound in Japanese silk-covered boards. First edition, deluxe issue. One of 100 numbered copies signed by Araki. Included in a separate, silk-covered, folding chemise is an original silver gelatin print showing a bound, naked woman suspended in the air. The print measures approx. 15"...
Tokyo: Shobunsha, 2000. 8vo. Hardbound in dust jacket with wrap-around band. First edition, deluxe issue. One of 500 copies with an original, signed Polaroid color print of one of the images from the book. The print is enclosed in a mylar sleeve that is mounted to a board with a....
NY: William Drenttel, 1992. Hardbound in cloth and marbled paper-covered boards. First edition. One of 100 numbered copies signed by the author (of a total edition of 450). A handsome production on Zerkall mouldmade paper. As new.
[Barrytown, NY]: Station Hill, [1980]. Pamphlet (no hardbound issued). First edition. Signed by Auster. Poems. Thin indentation to front cover (barely perceptible), else fine.
n.p.:n.p., [2004]. Very realistic, colorful note created by Banksy with a portrait of Princess Diana on the front and the motto: "I Promise to Pay the Bearer on Demand the Ultimate Price." The back features Darwin's image and the statement: "Trust No One." These were handed out at the preview.....
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first...
NY: Mokotoff Gallery, 1986. Exhibiting artists included Basquiat, Haring, Wojnarowicz, Borofsky, Baumgardner, Baechler, and many others. Stamped and addressed to artist Melissa Meyer. Scarce ephemera from this show very much reflective of the NYC avant-garde of the '80s. Fine (5.5" x 7.5").
Zurich: Galerie Bruno Bischofberger, 1993. The cover features a color reproduction of an early untitled work by Basquiat. Fine (ca. 6" x 8.5" folded). A scarce invite.
Paris: Galerie Daniel Templon, 1987. Text printed in black on slick white stock. Fine (4.25" x 6"). Scarce.
NY: Robert Miller, 1990. The front of the card reproduces an untitled oilstick drawing by Basquiat. Fine (ca. 10.5" x 8" folded).
NY: Vrej Baghoomian Gallery, 1988. Invite for Basquiat's final exhibition featuring a b&w cover photo of Basquiat holding a copy of Kerouac's The Subterraneans. Fine (three small spots to back cover, a minor blemish from the printing process). A nicely designed announcement measuring 9" x 6" folded.
NY: Privately published, 1983. Basquiat created a special drawing for the poster to publicize the "Food for the Soup Kitchens" benefit exhibition held in 1983 at Fashion Moda in the Bronx and the Store for Art and Architecture in downtown NYC. The bottom portion of the poster lists the participating...
NY: Rizzoli, 1999. Reproduces Beard's self-portrait that appears on the cover of the book. A couple of minute scuffs to the front, else about fine (6" x 4.25").
Madrid: Museo Nacional de Ciencias Naturales, 1999. The front features an exuberant color collage of Beard's photographs and scrapbook pages. Fine (ca. 8.25" x 4").
Sante Fe, NM: Arena Editions, 1999. Small 4to. Hardbound in leatherette-covered boards with a photographic plate affixed to the front cover. First edition. A nicely produced book. Very fine.
n.p.: n.p., ca. 1959. Cardboard box printed with charming drawings of beatniks and beatnik phrases. The box contains 24 folding illustrated notecards. They feature 3 different beatnik-themed drawings, with 8 cards of each design. There are also 8 sheets of red stickers printing beatnik phrases to embellish the 24 envelopes...
n.p.: Privately published, n.d. Features a unicorn pulling a snail whose shell is a castle. Signed by Beck and dated 1982. Small soiled spot, else near fine (10.5" x 13").
n.p.: n.p., 1969. 4to. Softbound. First edition. Scathing criticism of Nixon and his policies. One of the authors, James Flora, was co-founder of The Little Man Press with Robert Lowry. Trivial soiling to covers, near fine.
n.p.: Privately published, 1969. A beautifully designed poster by Peter Berg, of the Diggers and San Francisco Mime Troupe, that he published and distributed himself in 1969. The poster prints poetic manifestos regarding the Pacific Northwest and salmon fishing, reflecting some of the bioregional concerns that inform Gary Snyder's work...
[NY: Fuck You Press, 1964]. 4to. Mimeographed sheets, stapled at the edge. First edition. The author's first book, a report from the 1963 Vancouver Poetry Seminar at the University of British Columbia where Ginsberg, Olson, Whalen, Duncan, and others were participants. Fine.
