n.p.:n.p., [1967]. The photo shows the outside of the Cafe Bizarre at night with its "spooky" decorations around the door and the huge "Rick Allmen's Cafe Bizzare" banner hanging out front as people walk by on an evening in the Village. The Cafe Bizarre was one of the most conspicuous..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. The Diggers request help from the hip community to bring their "hotel" up to code asking: "Please help. It will be free to all when it's done." They go on to explain their intentions to "have an all night center, sack out..... More
![Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''. Chester ANDERSON,...](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints a long anonymous text (probably by Emmett Grogan) about rebellion against America's consumer culture stating: "the diggers are a rebellion against commodities and the hierarchy of commodity values. Through FREE diggers expose the lie of the oppressive rationality of commodities and..... More
[SF]: Privately published by the Diggers, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a...... More
No place: no publisher, 1961. Pamphlet. First edition. Cover illustration of an abstract beatnik face. Entirely devoted to printing a long unattributed song that includes a bit of beatnik slang and a few beatnik references. Illustrated with small drawings that embellish the text. Near fine... More
[San Jose: Mex-I-Can-Ink Publishing, n.d. ca. 1979]. Pamphlet. First edition. Slang terms from the Pachuco counterculure movement that originated among the Chicano and Mexican-American community in El Paso in the late '30s and eventually migrated to LA. A group associated with jazz and swing music, zoot suits, dancing, tattoos, and..... More
n.p.: n.p., n.d. [ca. 1970's]. Oblong 16mo. Softbound. First edition. Scarce photographic "study" with unintentionally humorous text featuring accounts of people's experiences with this lifestyle. Retro '70s vibe and tame by current standards. A difficult title. A couple of small cracks to spine but binding solid, else near fine... More
n.p.: Privately published, ca. 1967. Issued by hippies during the "Summer of Love" period (we've also seen Tuli Kupferberg's name mentioned in connection with the creation of this but can't confirm). Handed out to straight people and tourists to provide them with "safe passage " through the hippie populated streets..... More
Tokyo: Shobunsha, 2000. 8vo. Hardbound in dust jacket with wrap-around obi band. First edition, deluxe issue. One of 500 copies with an original, signed Polaroid color print of one of the images from the book. The print is enclosed in a mylar sleeve that is mounted to a board with..... More
n.p.:n.p., [1938]. Globular abstract shapes in green printed against a tan background. Issued in the French art magazine XXe Siecle No. 4, Christmas 1938, but here offered separately. Fine in its original state with the edges untrimmed and the publisher's staple holes to left edge (12.5" x 9.75")... More
NY: William Drenttel, 1992. Hardbound in cloth and marbled paper-covered boards. First edition. One of 100 numbered copies signed by the author (of a total edition of 450). A handsome production on Zerkall mouldmade paper. As new. More
No place: no publisher, 1974. For this event the artists dressed in costumes and assumed alter egos in homage to Duchamp dressing as the woman "Rrose Selavy." The photograph shows Anna Banana (the winner of the race), Bill Gaglione, and others posing in front of a painting of a fan..... More
NY: JMc & GHB editions, 2007. Hardbound in cloth-covered boards. First edition. One of 50 numbered copies signed by Barney. Profusely illustrated throughout. As new in publisher's slipcase (barely perceptible tiny blemish to slipcase). A handsome production. More
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first..... More
NY: Tony Shafrazi Gallery, 1987. The other side prints an announcement for a show by Simon Linke. Printed in white, gray, and brown on slick stock. Fine (ca. 8.5" x 6"). A card from during Basquiat's lifetime. More
NY: Mary Boone/Michael Werner Gallery, 1985. 4to. Softbound. First edition. Essay by Robert Ferris Thompson. Catalog from Basquiat's 1985 show at the Mary Boone/Michael Werner Gallery. Nicely illustrated throughout with full-page color plates. Fine. More
Tokyo: Akira Ikeda Gallery, 1985. 4to. Hardbound in dust jacket. First edition. Exhibition catalog printing full-page color reproductions of Basquiat's work. Lovely frontis photograph of Basquiat by Yoshitaka Uchida. One of only 300 hardbound copies (the entire cloth edition). As new. The cloth edition is quite scarce, especially in this..... More
NY: Annina Nosei, 1986. The front of the card features an untitled work by Basquiat printed in gray and black on white stock. Nosei was Basquiat's first dealer. She provided him with studio space in her basement, published his first print portfolio, and gave him his first solo exhibition in..... More
NY: Annina Nosei, 1982. The front of the card features one of the works from the portfolio printed in gray and black on off-white stock. Nosei was Basquiat's first dealer who mounted his first solo US exhibition the same year that she published this, his first print portfolio. Fine (5.5"..... More
No place: Privately published by Elmer Batters, ca. 1961. There are LP record covers around the mattress and on the floor, and part of the model's body can be seen reflected in a large mirror on the wall. Elmer Batters was an early master of fetish photography. Fine (ca. 2.5"..... More
No place: Privately published by Elmer Batters, ca. 1961. The model is lying on a mattress with her head resting on pillows as she looks upward directly at the camera. Elmer Batters was a pioneer in fetish photography. Fine (ca. 2.25" x 2.25"). More
NY: The Time is Always Now, ca. 1999. Single quarto sheet folded to make four pages. Prints a long essay on Beard and his work. Fine. More
No place: Privately issued, [ca.1960]. Yes, that's right, a vintage beatnik beach towel featuring an illustration of a beatnik couple---the man wearing shades, a beret, and playing bongos, the woman reading a book titled "Off Beat Poems." At their feet is a bearded, shade-wearing octopus balancing a cup of expresso..... More
No place: no publisher, no date [ca. 1960]. On a card printing "Hello I Am a Beatnik Pin---Wear Me and Be the Life of the Party" is mounted a brushed metal broach of a hirsute, googly-eyed beatnik playing guitar. Very good. Beatnik kitch at its absolute kitschiest. More
