Santa Barbara: Capra Press, [1989]. Hardbound in dust jacket. First edition. Signed by the author. Fine in moderately spine-faded dust jacket with a short tear to top of front panel. More
NY: Cafe Bizarre, ca. 1959. Single tall sheet folded to make four pages. This version features a cover illustration of a large sinister face to convey the "bizarre" concept of this cafe. The back cover prints a small illustrated map of Greenwich Village bohemian hot spots. The menu includes such..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Self-deprecating sentiment intended to warn the hippie community of the danger of looking for leaders. The Communication Company and the Diggers were very influential in the Haight-Ashbury scene while often being critical of it. Three-hole-punch to left edge as issued, else very..... More
![Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''. Chester ANDERSON,...](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints a long anonymous text (probably by Emmett Grogan) about rebellion against America's consumer culture stating: "the diggers are a rebellion against commodities and the hierarchy of commodity values. Through FREE diggers expose the lie of the oppressive rationality of commodities and..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were..... More
Kabul: Islamic Republic of Afghanistan, [ca. 2004]. Printed, peel-off sticker measuring almost 6" in diameter, text in Dari. Issued by the government of the Islamic Republic of Afghanistan a few years after the American invasion in 2001. Produced in accordance with aggressive US-backed eradication efforts, this sticker features a powerful..... More
Berkeley: No publisher, no date [ca.1969]. 4to. Handbill from an anonymous Berkeley activist group suggesting that people buy whistles to notify when "pigs" are in the area or a bust is going down, and to take photos of undercover police. "And we are getting tired of being hassled, but we..... More
SF: Gray Line, 1967. 16mo. Large sheet folded to make a small, 4-page unbound pamphlet. First edition. "Designed for the enjoyment and information of travelers on The Gray Line, Inc. San Francisco Haight-Ashbury District 'Hippie Hop' Tour." The back cover boasts: "The only Foreign Tour within the continental limits of..... More
Detroit: Student Lane, no date [ca. 1940's]. The writing pad measures ca. 4" x 2.5" and has "Student Lane The New Style Center for Young Men Bond Clothes" printed on the cover. A very scarce jive slang item from the swing period, and an unexpected place to find such a...... More
n.p.: n.p., n.d. [ca. 1970's]. Oblong 16mo. Softbound. First edition. Scarce photographic "study" with unintentionally humorous text featuring accounts of people's experiences with this lifestyle. Retro '70s vibe and tame by current standards. A difficult title. A couple of small cracks to spine but binding solid, else near fine... More
n.p.: Privately published, ca. 1967. Issued by hippies during the "Summer of Love" period (we've also seen Tuli Kupferberg's name mentioned in connection with the creation of this but can't confirm). Handed out to straight people and tourists to provide them with "safe passage " through the hippie populated streets..... More
Tokyo: Shobunsha, 2000. 8vo. Hardbound in dust jacket with wrap-around band. First edition, deluxe issue. One of 500 copies with an original, signed Polaroid color print of one of the images from the book. The print is enclosed in a mylar sleeve that is mounted to a board with a...... More
NY: William Drenttel, 1992. Hardbound in cloth and marbled paper-covered boards. First edition. One of 100 numbered copies signed by the author (of a total edition of 450). A handsome production on Zerkall mouldmade paper. As new. More
NY: JMc & GHB editions, 2007. Hardbound in cloth-covered boards. First edition. One of 50 numbered copies signed by Barney. Profusely illustrated throughout. As new in publisher's slipcase (barely perceptible tiny blemish to slipcase). A handsome production. More
Flushing, NY: The Paris Review, 1983. Notable long-running magazine of art and literature. This issue features a terrific 10-page section devoted to reproducing the Tuxedo suite of works by Jean-Michel Basquiat. This substantive contribution is quite striking with his texts and images printed in white on black stock. Also includes..... More
NY: Tony Shafrazi Gallery, 1987. The other side prints an announcement for a show by Simon Linke. Printed in white, gray, and brown on slick stock. Fine (ca. 8.5" x 6"). An uncommon card from during Basquiat's lifetime. More
Tokyo: Akira Ikeda Gallery, 1985. 4to. Hardbound in dust jacket. First edition. Exhibition catalog printing full-page color reproductions of Basquiat's work. Lovely frontis photograph of Basquiat by Yoshitaka Uchida. One of only 300 hardbound copies (the entire cloth edition). As new. The cloth edition is quite scarce, especially in this..... More
No place: Privately published by Elmer Batters, ca. 1961. There are LP record covers around the mattress and on the floor, and part of the model's body can be seen reflected in a large mirror on the wall. Elmer Batters was an early master of fetish photography. Fine (ca. 2.5"..... More
No place: Privately published by Elmer Batters, ca. 1961. The model is lying on a mattress with her head resting on pillows as she looks upward directly at the camera. Elmer Batters was a pioneer in fetish photography. Fine (ca. 2.25" x 2.25"). More
No place: Privately published by Elmer Batters, ca. 1961. The model is lying on a mattress seductively cuddling a pair of bongos. Elmer Batters was the preeminent fetish photographer of the period. Fine (ca. 2.5" x 2.5"). More
NY: The Time is Always Now, ca. 1999. Single quarto sheet folded to make four pages. Prints a long essay on Beard and his work. Fine. More
No place: Popular Mechanics, no date. One of the rare instances where images of a beatnik were used to promote a product, rather than ridicule beatniks. "Man, Like UTICA's Way Out." This advertisement page was neatly removed from an issue of Popular Mechanics magazine. Fine. More
