Santa Barbara: Capra Press, [1989]. Hardbound in dust jacket. First edition. Signed by the author. Fine in moderately spine-faded dust jacket with a short tear to top of front panel. More
n.p.:n.p., [1971]. This issue is dedicated to the Fitz Hugh Ludlow Memorial Library, with an illustration of Ludlow on the cover. Articles on the bust of The Living Theatre, John Sinclair, and cannabis related issues. Illustrated with photographs and graphics. Fine. More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Self-deprecating sentiment intended to warn the hippie community of the danger of looking for leaders. The Communication Company and the Diggers were very influential in the Haight-Ashbury scene while often being critical of it. Three-hole-punch to left edge as issued, else very..... More
![Handbill printed on both sides announcing ''Zuccini [sic] Feast Eat Free.''. Chester ANDERSON,...](/pictures/thumb/SKB-16464.jpg?v=1590605102)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. One side announces the free zucchini feast, the other prints a recipe for zucchini. One of the Digger's most important contributions to the Haight-Ashbury community was offering free meals for the throngs of hippies who descended on the Haight during the "Summer..... More
![Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''. Chester ANDERSON,...](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were..... More
Buffalo: Committee on Public Service of the Advertising Women of Buffalo, ca. 1969. 8vo. Printed on both sides, illustrated. The flyer is aimed at concerned parents who may be worried that their kids are using drugs: "Is Your Child Carrying a Cigarette or MARIJUANA? Aspirin or DOPE?" Advertises "Analysis Anonymous"..... More
London: Phaidon, 2005. Thick, small 4to. Hardbound in Japanese silk-covered boards. First edition, deluxe issue. One of 100 numbered copies signed by Araki. Included in a separate, silk-covered, folding chemise is an original silver gelatin print showing a bound, naked woman suspended in the air. The print measures approx. 15"..... More
Tokyo: Shobunsha, 2000. 8vo. Hardbound in dust jacket with wrap-around band. First edition, deluxe issue. One of 500 copies with an original, signed Polaroid color print of one of the images from the book. The print is enclosed in a mylar sleeve that is mounted to a board with a...... More
[Barrytown, NY]: Station Hill, [1980]. Pamphlet (no hardbound issued). First edition. Signed by Auster. Poems. Thin indentation to front cover (barely perceptible), else fine. More
NY: JMc & GHB editions, 2007. Hardbound in cloth-covered boards. First edition. One of 50 numbered copies signed by Barney. Profusely illustrated throughout. As new in publisher's slipcase (barely perceptible tiny blemish to slipcase). A handsome production. More
NY: Tony Shafrazi Gallery, 1991. The inside of the card features a color reproduction of a work by each artist (7.25" x 7.25" folded). Faint strip of even toning to edge of front cover, else fine. More
NY: Mokotoff Gallery, 1986. Exhibiting artists included Basquiat, Haring, Wojnarowicz, Borofsky, Baumgardner, Baechler, and many others. Stamped and addressed to artist Melissa Meyer. Scarce ephemera from this show very much reflective of the NYC avant-garde of the '80s. Fine (5.5" x 7.5"). More
NY: Bruno Bischofberger/Mary Boone/Michael Werner Gallery, 1984. Nicely printed in green and black on textured beige stock. An early show for Basquiat. Fine (5" x 7"). More
NY: Tony Shafrazi Gallery, 1987. The other side prints an announcement for a show by Simon Linke. Printed in white, gray, and brown on slick stock. Fine (ca. 8.5" x 6"). A scarce card from during Basquiat's lifetime. More
Paris: Galerie Daniel Templon, 1987. Text printed in black on slick white stock. Fine (4.25" x 6"). Scarce. More
NY: Privately published, 1983. Basquiat created a special drawing for the poster to publicize the "Food for the Soup Kitchens" benefit exhibition held in 1983 at Fashion Moda in the Bronx and the Store for Art and Architecture in downtown NYC. The bottom portion of the poster lists the participating..... More
n.p.:n.p., [1980]. Handbill for an alternative group show featuring "Art, Politics, Performance & Film." The "exhibition documented the convergence of punk/no wave, wild style, conceptual street work, radical feminism, gay liberation and the burgeoning neo-expressionism that would set the agenda for the dynamic New York art world of the early..... More
NY: Anne Plumb Gallery, 1987. Organized by Steven Harvey, the show ran from Dec. 19th, 1987 to Jan. 23rd, 1988 and included work by Basquiat, Kounellis, Broodthaers, Nauman and Byars. Printed in black on gray stock. Stamped and sent through the mail. Near fine. More
n.p.: n.p., ca. 1959. Cardboard box printed with charming drawings of beatniks and beatnik phrases. The box contains 24 folding illustrated notecards. They feature 3 different beatnik-themed drawings, with 8 cards of each design. There are also 8 sheets of red stickers printing beatnik phrases to embellish the cards or..... More
n.p.: n.p., 1969. 4to. Softbound. First edition. Scathing criticism of Nixon and his policies. One of the authors, James Flora, was co-founder of The Little Man Press with Robert Lowry. Trivial soiling to covers, near fine. More
n.p.: Privately published, 1965. Among the images is one of Bob Dylan. Printed in black on yellow stock. (Support the Revolution, p. 172.) Fine (21" x 17"). More
[LA: Fellows of Contemporary Art, 1978]. 4to. Softbound. First edition. Foreword by Hal Glicksman. Essays by Robert Duncan and David Meltzer. Profusely illustrated throughout. Issued to coincide with an important exhibition---Berman's first major retrospective. Thin abrasion to bottom of front cover, barely perceptible yellowing to top edge of first few..... More
SF: 871 Fine Arts, 2005. Pamphlet. 8pp. First edition. Prints two essays and reproduces works by Jess and Jay Defeo, with a Wallace Berman verifax on the cover. Includes an exhibition checklist for this show that included pieces by Conner, Berman, Herms, and many others. Fine... More
