NY: Cafe Bizarre, ca. 1960. The card prints (in white against a black background) the word "Bizarre" in the same spooky stylized lettering used on all their promotional material. Also prints the phone numbers and name of Rick Allmen who started the club in 1957. The Cafe Bizarre was one..... More
n.p.:n.p., [1967]. The photo shows the outside of the Cafe Bizarre at night with its "spooky" decorations around the door and the huge "Rick Allmen's Cafe Bizzare" banner hanging out front as people walk by on an evening in the Village. The Cafe Bizarre was one of the most conspicuous..... More
![Item #SKB-15436 Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''....](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Published March 24, 1967 in advance of "The Summer of Love." A stoned rant against the status quo, in part: "The root of all evil? A neccessity [sic]? Basic need? The gateway to happiness? Is anything mine? What is middleclass? What is..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Published Easter Sunday 1967. Printed on both sides with a long text (likely by Chester Anderson) explaining how the government will suppress the hippie movement in San Francisco during the "Summer of Love" because so many potential protesters could be a threat..... More
[SF]: Privately published, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a black-and-white picture from..... More
Buffalo: Committee on Public Service of the Advertising Women of Buffalo, ca. 1969. 8vo. Printed on both sides, illustrated. The flyer is aimed at concerned parents who may be worried that their kids are using drugs: "Is Your Child Carrying a Cigarette or MARIJUANA? Aspirin or DOPE?" Advertises "Analysis Anonymous"..... More
Paris: Le Petit Parisien, 1907. Terrific opium den print that takes up the entire front cover of the French newspaper Le Petit Parisien (the complete issue is included). One of the most desirable of the woodblock opium den prints that appeared in various newspapers around the turn of the century..... More
Paris: Le Petit Journal, 1903. Fabulous opium den print that takes up the entire back cover of the French newspaper Le Petit Journal (the complete issue is included). One of the best of the woodblock opium den prints that appeared in various newspapers around the turn of the century. Unlike..... More
n.p.: Woodstock Nation, 1969. The handbill prints what looks like a temporary license plate from Arizona: "Stick this in the back window. They'll know it's phony, but they'll be afraid. Cops are terrified by authority A Woodstock Nation product." Presumably handed out to Woodstock attendees many of whom were forced..... More
Detroit: Student Lane, no date [ca. 1940's]. The writing pad measures ca. 4" x 2.5" and has "Student Lane The New Style Center for Young Men Bond Clothes" printed on the cover. A very scarce jive slang item from the swing period, and an unexpected place to find such a...... More
Tokyo: Shobunsha, 2000. 8vo. Hardbound in dust jacket with wrap-around obi band. First edition, deluxe issue. One of 500 copies with an original, signed Polaroid color print of one of the images from the book. The print is enclosed in a mylar sleeve that is mounted to a board with..... More
No place: MGM Records, [1959]. 45rpm record in picture sleeve featuring a small reproduction of the poster for this Beat exploitation film starring Mamie Van Doren (and in which Gregory Corso has a cameo). "The Wild World of the Beatniks!" Tiny remainder drill hole through sleeve and record label, else..... More
n.p.:n.p., [1938]. Globular abstract shapes in green printed against a tan background. Issued in the French art magazine XXe Siecle No. 4, Christmas 1938, but here offered separately. Fine in its original state with the edges untrimmed and the publisher's staple holes to left edge (12.5" x 9.75")... More
n.p.: L'Arbalete, [1955]. 4to. Softbound (only issued softbound). First edition. Artaud's account of his visit to Mexico where he participated in the peyote rites of the Tarahumara indians. Also prints texts on the theater, "Surrealism & Revolution," correspondence relating to his Mexican trip, and more. A handsome production nicely printed..... More
Jefferson, NC: McFarland & Co., [1990]. Hardbound in cloth-covered boards, issued wthout dust jacket. First edition. Signed by Barber. Fine. More
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first..... More
Flushing, NY: The Paris Review, 1983. Notable long-running magazine of art and literature. This issue features a terrific 10-page section devoted to reproducing the Tuxedo suite of works by Jean-Michel Basquiat. This substantive contribution is quite striking with his texts and images printed in white on black stock. Also includes..... More
NY: Tony Shafrazi Gallery, 1987. The other side prints an announcement for a show by Simon Linke. Printed in white, gray, and brown on slick stock. Fine (ca. 8.5" x 6"). A card from during Basquiat's lifetime. More
NY: Mary Boone/Michael Werner Gallery, 1985. 4to. Softbound. First edition. Essay by Robert Ferris Thompson. Catalog from Basquiat's 1985 show at the Mary Boone/Michael Werner Gallery. Nicely illustrated throughout with full-page color plates. Fine. More
London: NJG Studio, 2019. Folio. Long accordion-folded portfolio (almost 13 feet unfolded), enclosed in a handmade blood red slipcase, presenting for the first time 12 large-format images of Basquiat taken in 1984 at his studio at 57 Great Jones Street. Of the 12 large images 9 are b&w and 3..... More
NY: Van de Weghe Fine Art, 2008. Printed on thick cardstock in black against red on one side and red against black on the other. Fine (7.5" x 10.75"). More
NY: Anne Plumb Gallery, 1987. Organized by Steven Harvey, the show ran from Dec. 19th, 1987 to Jan. 23rd, 1988 and included work by Basquiat, Kounellis, Broodthaers, Nauman and Byars. Printed in black on gray stock. Stamped and sent through the mail. Near fine. More
