SF: Four Seasons, [1967]. First edition of this trade Paperback Original. Brautigan's wildly popular breakthrough book, and one of the defining books of the sixties that still resonates today. Very small, faint stain to top corner of front cover, pink color on spine slightly faded, else near fine. A nice..... More
SF: Four Seasons, [1967]. First edition of this trade Paperback Original. Signed by Brautigan in the year of publication---on September 29th 1967 at the close of the "Summer of Love." Brautigan's wildly popular breakthrough book, and one of the defining books of the sixties that still resonates today. Barely perceptible..... More
n.p.:n.p., [1967]. 1 page. 4to. San Francisco, March 20, 1967. A letter, written just a couple of months after the Human Be-In and a few months before the "Summer of Love," to Morgan who was the dedicatee of Brautigan's poem "Albion Breakfast." In full: "Dear Susan, Great! I look forward..... More
n.p.:n.p., [1967]. 1 page. 4to. San Francisco, March 13, 1967. A letter, written just a couple of months after the Human Be-In and a few months prior to the "Summer of Love," to Morgan who was the dedicatee of Brautigan's poem "Albion Breakfast." In part: "Thank you for your little..... More
n.p.:n.p., [1967]. 1 page. 4to. San Francisco, March 3, 1967. A letter, written just a couple of months after the Human Be-In and a few months before the "Summer of Love," to Morgan who was the dedicatee of Brautigan's poem "Albion Breakfast." In full: "Dear Young Lady of the South..... More
n.p.:n.p., [1967]. 1 page. 4to. San Francisco, April 4, 1967. A letter written just a couple of months before the "Summer of Love," to Morgan who was the dedicatee of Brautigan's poem "Albion Breakfast." In full: "Dear Susan, Thank you for the nice letter. I'm very glad that you had..... More
NY: Ecco, 2006. Tall folio. Broadside printing this poem from the concurrently published "Book of Longing." First separate printing. Printed in red and black on white stock, illustrated with a small reproduction of a drawing by Cohen. Limited to 250 copies, this copy signed by Cohen though not called for..... More
No place: American International Records, 1970. LP record. Soundtrack for the American International hippie musical exploitation film directed by Roger Corman starring Robert Corff (of "Hair" fame) and Bud Cort. A group of hippies from various backgrounds "inherit" the nation after a mysterious gas attack exterminates everyone over twenty-five. Interestingly..... More
[San Francisco: Privately published by the author, 1967]. Square 8vo. Pamphlet. First edition. Nice photo-documentary of the Haight-Ashbury hippie scene in its heyday and one of the scarcer books on the subject. Couple of small sepia spots to bottom edge of front cover that shows a bit of gentle rippling..... More
SF: San Francisco Examiner, 1985. The poster proclaims: "Hinckle Free at Last Only in the Examiner" and reproduces a drawing by Crumb showing Hinckle and his hound dog being dragged away by three burly police officers. Printed in black and red on white card stock. Fine (14" x 21")... More
SF: San Francisco Examiner, 1985. The poster proclaims: "Hinckle Free at Last Only in the Examiner" and reproduces a drawing by Crumb showing Hinckle and his hound dog being dragged away by three burly police officers. Presentation copy inscribed by Crumb to his publisher, John Martin of Black Sparrow Press..... More
NY: Cafe Cino, 1968. 4to. "Monuments" consisted of 8 monologues by di Prima directed by James Waring. It was the last performance at the legendary Cafe Cino, a Greenwich Village venue that was the first Off-Off Broadway theater. The Cino staged one-act plays by established authors, eventually presenting only new..... More
n.p.: Ten Speed Press, [1971]. Oblong 16mo. Softbound. Second printing. Cartoons and text about dopers and drugs. Tiny remainder line to bottom edge, else fine. More
[SF]: Straight Arrow Press, [1971]. Hardbound, lacking the dust jacket. First edition. Illustrated with drawings, graphics, and photographs. Half-title page mostly detached, else completely solid and near fine. More
n.p.:n.p., [1968]. A slick-format counterculture magazine from London edited by Ian Duncan. Prints excerpts from the 1967 Dialectics Conference, "Fisheye Nudes" photographs, drawings, psychedelia, articles on exorcism, mandalas, and more. Couple of minuscule chips to fore-edge of cover and first couple of pages, else fine. More
n.p.:n.p., [1969]. Chicago's premiere underground paper. Articles on the Bank of America bombing, the Black Panthers, Gay Liberation, drugs, and various counterculture subjects. Also features Ron Cobb cartoons, prints Jerry Farber's "The Student as Nigger," and more. Covers and some pages printed in color. Fine (short tear to edge of..... More
SF: Last Gasp, 2007. 4to. Hardbound in dust jacket. First edition. One of 40 numbered copies signed by Felver with an original signed and numbered print of the cover photograph of William Burroughs. Nice collection of Felver's photographs of the Beats and counterculture heroes from the sixties. As new... More
SF: Privately published, 1972. Single sheet with an interesting graphic design utilizing images of Marilyn Monroe, Bob Dylan, Timothy Leary, and Allen Ginsberg. The Cockettes were an LSD-inspired, gay liberation theatrical group of hippie drag-queens founded by Hibiscus, whose real name was George Harris. After a philosophical dispute with The..... More
SF: Privately published, 1971. 4to. Single sheet illustrated with a line drawing of the Tinsel Tarts. The Cockettes were a group of LSD-inspired, hippie drag-queens, and some women, from the Haight-Ashbury. They brought their unconventional lifestyle to the stage in the form of song-filled, high-camp theatrical productions utilizing outrageous costumes..... More
NY: Grove Press, 1971. 4to. Single sheet illustrated with a still from the film. The Cockettes were an LSD-inspired, gay liberation theatrical group of hippie drag-queens, and some women, from the Haight-Ashbury counterculture. They brought their unconventional lifestyle to the stage in the form of various song-filled theatrical productions utilizing..... More
[SF: Last Gasp, 1971]. 4to. Pamphlet. First edition. Drawings by John Flowers. Photographs by Clay Geerdes. Outrageous photographs of The Cockettes, a notorious LSD-inspired, hippie drag-queen theatrical group from San Francisco whose members also included women. These photos were intended to be cut out and made into paper dolls that..... More
SF: Privately published, 1972. The film was directed by Gregory Pickup and shot in a SF loft converted to a performance space and sound stage. The star, Hibiscus (a.k.a. George Harris), was the leader of The Angels of Light, a group he formed after leaving his previous group, The Cockettes..... More
SF: Privately published, 1972. The Cockettes were a group of LSD-inspired, hippie drag-queens, and some women, from San Francisco. They brought their lifestyle to the stage in the form of various song-filled theatrical productions utilizing outrageous costumes, or the lack thereof. Their provocatively decadent behavior brought them a cult following..... More
n.p.: Privately published, ca. 1968. The bearer of this card is "classified in Class 6-Z until PEACE DECLARED by General Hershey Bar...by President Doctor Spock...by President Richard Nixon." Instructions on the back of the card on how to "burn or 'boil' your non-draft card and to surrender the ashes...please alter..... More
NY: Alfred A. Knopf, 1970. Thick 4to. Softbound (only issued softbound). First printing. An exhaustive compendium of virtually everything relating to the cultural change of the '60s. Interesting graphics, photos, collage art, and reprinted texts are used to chronicle the people, movements, and events of the decade. Modest toning and..... More
