NY: Privately published, 1968. The button shows Abolafia naked holding a hat over his private parts with his campaign slogan "What have I got to hide." Abolafia was an artist, activist, and fixture in the Greenwich Village scene of ths sixties where he organized Love-ins and Happenings and published the..... More

[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Self-deprecating sentiment intended to warn the hippie community of the danger of looking for leaders. The Communication Company and the Diggers were very influential in the Haight-Ashbury scene while often being critical of it. Three-hole-punch to left edge as issued, else very..... More

[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More

[SF]: Privately published, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a black-and-white picture from..... More

Paris: Le Petit Parisien, 1907. Terrific opium den print that takes up the entire front cover of the French newspaper Le Petit Parisien (the complete issue is included). One of the most desirable of the woodblock opium den prints that appeared in various newspapers around the turn of the century..... More

n.p.: Woodstock Nation, 1969. The handbill prints what looks like a temporary license plate from Arizona: "Stick this in the back window. They'll know it's phony, but they'll be afraid. Cops are terrified by authority A Woodstock Nation product." Presumably handed out to Woodstock attendees many of whom were forced..... More

Jefferson, NC: McFarland & Co., [1990]. Hardbound in cloth-covered boards, issued wthout dust jacket. First edition. Signed by Barber. Fine. More

Topanga: Privately published by Wallace Berman, ca. 1965. Features a small photo collage by Berman of a runner crossing the finish line with his hands raised in victory (same image that appeared on the cover of Caterpillar magazine). Above is printed: "Exhibition Sunday Feb. 26 2-5 pm 1440 N. Topanga..... More

Topanga: Privately produced by the artist, ca. 1965. Affixed to the card is a small photo by Berman of a flower in silhouette against an abstract background probably a rain-blurred window. "Love from the Bermans" is printed above in red ink. Barely perceptible toning to one corner, else fine (4"..... More

Topanga: Privately produced by the artist, ca. 1965. Affixed to the card is Berman's self-portrait photograph of him and his son, Tosh holding their hands in the air as if playing "cowboys and indians" in a dilapidated corner of Berman's Semina Gallery in Larkspur. The same photo appears on the..... More

n.p.: Privately published, 1967. 4to. The event was scheduled to take place at Cal State's Winnett Lounge as part of Brautigan's stay as Poet in Residence, 1967. Printed in black on orange stock. Very fine. More

[SF]: Communication Company, [1967]. 4to. The event was scheduled to take place at the Glide Church in San Francisco, 1967. Richard Brautigan, Lew Welch, Lawrence Ferlinghetti, Andrew Hoyem, Ed Bullins, and others, are listed as participants. Features an illustration of a naked man carrying a sheep over his shoulders. This..... More