Santa Barbara: Capra Press, [1989]. Hardbound in dust jacket. First edition. Signed by the author. Fine in moderately spine-faded dust jacket with a short tear to top of front panel. More
Santa Barbara: Capra Press, [1989]. Softound. First edition. Spine and edges of cover faded, else very good plus. More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. The Diggers request help from the hip community to bring their "hotel" up to code asking: "Please help. It will be free to all when it's done." They go on to explain their intentions to "have an all night center, sack out..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Self-deprecating sentiment intended to warn the hippie community of the danger of looking for leaders. The Communication Company and the Diggers were very influential in the Haight-Ashbury scene while often being critical of it. Three-hole-punch to left edge as issued, else very..... More
![Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''. Chester ANDERSON,...](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints a long anonymous text (probably by Emmett Grogan) about rebellion against America's consumer culture stating: "the diggers are a rebellion against commodities and the hierarchy of commodity values. Through FREE diggers expose the lie of the oppressive rationality of commodities and..... More
[SF]: Privately published by the Diggers, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a...... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were..... More
[Glen Ellen, CA: Entwhistle Books, 1980]. 4to. Softbound. First edition. Illustrated by Charles Stevenson. A novel about a group of hippies and their escapades with sex and drugs during a single night in the East Village in the 1960's. Anderson was active in both the Beat and '60s counterculture. Near..... More
[San Jose: Mex-I-Can-Ink Publishing, n.d. ca. 1979]. Pamphlet. First edition. Slang terms from the Pachuco counterculure movement that originated among the Chicano and Mexican-American community in El Paso in the late '30s and eventually migrated to LA. A group associated with jazz and swing music, zoot suits, dancing, tattoos, and..... More
SF: Gray Line, 1967. 16mo. Large sheet folded to make a small, 4-page unbound pamphlet. First edition. "Designed for the enjoyment and information of travelers on The Gray Line, Inc. San Francisco Haight-Ashbury District 'Hippie Hop' Tour." The back cover boasts: "The only Foreign Tour within the continental limits of..... More
n.p.: Privately published, ca. 1967. Issued by hippies during the "Summer of Love" period (we've also seen Tuli Kupferberg's name mentioned in connection with the creation of this but can't confirm). Handed out to straight people and tourists to provide them with "safe passage " through the hippie populated streets..... More
[Vienna, VA: Quadrus Communications, 2005]. 4to. Hardbound in dust jacket. First edition. Limited to 500 numbered copies signed by Ben Rapaport. A terrific book profusely illustrated with color photos of elaborate and beautiful antique opium pipes and accouterments. Arguably the best book on the subject. Fine... More
[Santa Barbara: Pride of Tacoma Press, 2003]. Pamphlet. First edition. A humorous story from Kesey's fellow Prankster. One of 75 copies signed by Babbs (of a total edition of 175). Fine. More
NY: Coward McCann, [1969]. Folio. Hardbound in dust jacket. First American edition. Bailey's classic portraits of '60s artists, musicians, and celebrities very much capture the spirit of the era. Minute spot of wear to one corner, else fine in near fine dust jacket with a very small chip to base..... More
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first..... More
n.p.: Privately published, n.d. Features a unicorn pulling a snail whose shell is a castle. Signed by Beck and dated 1982. Small soiled spot, else near fine (10.5" x 13"). More
[NY: Fuck You Press, 1964]. 4to. Mimeographed sheets, stapled at the edge. First edition. The author's first book, a report from the 1963 Vancouver Poetry Seminar at the University of British Columbia where Ginsberg, Olson, Whalen, Duncan, and others were participants. Fine. More
LA: Third Rail, 1988. The "Wallace Berman issue." Cover by Berman and a long section devoted to him, includes writings or interviews by Robert Duncan, David Meltzer, Michael McClure, Jack Hirschman, George Herms, et al. Hard bump to top of spine, else very good. More
NY: Nicole Klagsbrun Gallery, 1999. Styled after an issue of Berman's Semina and featuring a reproduction of Semina No. 7 on the cover, this invite consists of a pocket with 15 loose items enclosed featuring photographs, texts, and reproductions of art works by the participants. Very fine. More
n.p.: Columbia Records, 1970. A quarto page neatly excised from Billboard magazine. The advertisement utilizes a disturbing still from D.W. Griffith's film "The Birth of a Nation." At the bottom the anonymous artist placed 5 handheld transistor radios identical to Berman's and in each he put a photo of one..... More
n.p.: Privately produced by the artist, 1962. Small framed etching that Berman found and gifted to Meltzer. Inscribed on the verso by Berman who has done a small drawing of Meltzer: "HAPPY BIRTHDAY DAVID From Wallace, Shirley & Tosh 1962." A charming artifact linking these two longtime best friends. The..... More
Larkspur, CA: Wallace Berman, 1960. The front of the card features a lovely, soulful close-up self-portrait of Berman's face looking directly into the camera. The photo has intentionally been torn with irregular edges and affixed to the card. The back of the card is stamped and hand-addressed by Berman in..... More
LA: Privately published, 1964. Features 16 variant images of Berman's signature motif of a hand holding a transistor radio (Support the Revolution, p. 171). Minute closed tear to bottom edge, creased where originally folded as issued (infinitesimal hole at the intersection of one fold), else a handsome, about fine copy..... More
