The Gates of Wrath.
Bolinas: Gray Fox Press, 1972. Hardbound in cloth-covered boards, issued without a dust jacket. First edition. Limited to 100 numbered copies signed by Ginsberg. Fine. More
Bolinas: Gray Fox Press, 1972. Hardbound in cloth-covered boards, issued without a dust jacket. First edition. Limited to 100 numbered copies signed by Ginsberg. Fine. More
Bolinas: Gray Fox Press, 1972. Softbound. Third printing. Signed by Ginsberg. About fine. More
SF: City Lights, 1956. 18mo. Pamphlet. First edition. Introduction by William Carlos Williams. Number 4 in the Pocket Poets Series. The first major work to define the Beat ethos. Some sunning to spine that overlaps a bit onto the edge of the wrap-around cover label, else very good plus... More
SF: City Lights Books, 1974. Oblong 18mo. Softbound. First edition thus. Fine. More
Gottingen: Expanded Media Editions, 1973. Square 16mo. Softbound. First German edition. One of 100 numbered copies signed by the author. Photographs by Fred McDarrah, Richard Avedon, and Claude Pelieu. Fine. (German text.). More
[SF]: City Lights, [1961]. 16mo. Softbound. Second printing. Poet Richard Tagett's copy with his ownership stamp dated 1961 (also small ink number stamped in three places). Number 14 in the Pocket Poets Series. Along with Howl, Kaddish is Ginsberg's most important book. Spine slightly sunned, else near fine... More
Berkeley: Oyez, 1965. Folio. Broadside poem. First edition. Published in an edition of 350 copies. Features a Robert LaVigne illustration of a nude Ginsberg in both black and white silhouette within a penis-shaped outline. Very faint, occasional light creasing, near fine overall. More
SF: City Lights, [1977]. 16mo. Softbound. First edition. Number 35 in the Pocket Poets Series. Inscribed by Ginsberg to Warren Tallman: "Allen Ginsberg / Thanks for your decades / of hospitality, Warren Tallman / August 22, 1979." Unread, solid very good plus. A very nice association sinceTallman had a strong..... More
SF: Arion Press, 1992. Single 8vo sheet printed on both sides. Arion published an edition of Howl limited to only 20 copies utilizing unbound sheets from the Grabhorn-Hoyem edition of Howl. Issued to coincide with Arion's production of Kaddish. Very near fine. More
[SF]: City Lights, [1963]. 16mo. Softbound. First edition. Number 18 in the Pocket Poets Series. Crisp, fine copy. More
London: Cape Golliard, 1968. Oblong 16mo. Pamphlet issued in fragile tissue dust jacket. First edition of this long poem (written on LSD) describing Ginsberg's LSD trip in the countryside. Limited to 200 copies none of which were offered for sale. Fine (two tiny nicks to dj)... More
NY: Harper & Row, [1986]. Hardbound in dust jacket. First edition. Very fine. More
NY: William Morrow, 1970. Hardbound in dust jacket. First edition. Introduction by Allen Ginsberg (Louis' son). Inscribed by Louis Ginsberg. Fine in very slightly spine-sunned dust jacket. More
[SF: X-Ray Book & Novelty Co., 2010]. Oblong 32mo. Pamphlet. First edition. Designed and hand-printed letterpress by Johnny Brewton under the pseudonym "Skillet Marimba." Prints Gonzales' Christmas story originally recorded in 1954, along with a glossary of slang terms from Bab's be-bop dictionary. Limited to 100 copies given to friends..... More
SF: Intersection, 1968. Oblong 16mo. Pamphlet. First edition. Catalog of events for this festival of underground art which took place at various venues in San Francisco, 1968. Essays by Ralph Gleason, James Broughton, David Meltzer, Robert Duncan, and others, trace the development of the poetry, jazz, and painting of the..... More
[London]: SAF Publishing, [2002]. Hardbound in dust jacket. First edition. One of the more interesting '60s counterculture memoirs. Illustrated with photographs. Guthrie recounts his international adventures and drug-taking escapades in the hip scenes of LA, San Francisco, London, Amsterdam, Tangier, and elsewhere. Along the way he encountered Allen Ginsberg, Richie..... More
[NY: Something Else Press, 1969]. 4to. Hardbound in dust jacket. First edition. Profusely illustrated with photographs and graphics. Gutman was a stock analyst, an artist, and a friend of Kerouac and the Beats. He produced the film, Pull My Daisy. "Compliments of the editors" card laid in. Fine... More
n.p.:n.p., [1962]. The photo was taken in late 1961 or early 1962 by famous jazz photographer, Herman Leonard. As new (8" x 8"). More
n.p.:n.p., [1962]. The photo was taken in late 1961 or early 1962 by famous jazz photographer, Herman Leonard. As new (8" x 8"). More
n.p.:n.p., [1962]. A magnificent portrait of Gysin, trance-like, in front of an elaborate dream machine, his face bathed in the warm glow of the light. The wall behind him is painted with his calligraphy. The photo was taken in late 1961 or early 1962 by famous jazz photographer, Herman Leonard..... More
Boston: Houghton Mifflin, [1966]. Hardbound in dust jacket. First edition. Illustrated with photographs. Fine in price-clipped dust jacket. More
NY: Gallery Gertrude Stein, [1964]. Softbound. First edition of the author's scarce second book. In 1957 Hart, Lamantia, and Kerouac gave the first jazz poetry reading in N.Y.C. White covers very slightly sunned around the edges, else fine. More
Hollywood: Nordyke Publishing, 1959. 4to. Single sheet folded to make four pages. Sheet music and lyrics for this beatnik-related song. Cover illustration of a bearded beatnik and a man strumming a guitar. Front cover has an "X" to the corner in magic marker and a tiny price sticker, else about..... More
Boise, ID: Boise State University, [1979]. Pamphlet. First edition. Boise State University Western Writers Series No. 39. Biographical and critical essay about Kerouac and his influence on American culture. Fine. More