NY: Abrams, . Hardbound in dust jacket. First American edition. Profusely illustrated. Fine.
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Cambridge: MIT Press, . Hardbound in dust jacket. First edition. Illustrated. Very fine.
[Antwerp: Pandora, 1999]. 4to. Softbound. First edition. Profusely illustrated study of Magritte's life and work with emphahsis on his long-time residence in Brussels and the effect his environment had on his work. Very fine.
NY: Columbia University Press, . Hardbound in dust jacket. First edition in English. Fine.
London: BC Studio Editions/L-13 Light Industrial Workshop, 2017. Folio. Hardbound in heavy grey book card, quarter bound in linen with an illustrated plate affixed to the front cover, issued in woodcut dust jacket. First edition. One of 26 lettered copies signed by Childish with an original three-color woodcut dust jacket...
[Geneva]: Skira, . Large 4to. Hardbound in dust jacket. First edition in English. Profusely illustrated throughout including many tipped-in plates. Fine in publisher's cardstock slipcase slightly toned around the edges.
NY: Praeger, . 4to. Hardbound in dust jacket. First edition in English. Copiously illustrated throughout, some in color. As new.
Pittsburgh: Carnegie Museum of Art/Univ. of Washington Press, 1999. 4to. Hardbound in dust jacket. First edition. Profusely illustrated. As new.
[Basel: Kunsthalle], 1991. Narrow 4to. Softbound in dust jacket. First edition. Profusely illustrated in color. Fine. Due to the awkward format scarce in this condition.
NY: Guggenheim Museum, . Thick 4to. Hardbound in dust jacket. First edition. Profusely illustrated, massive overview of the artist's work, published on the occasion of a major exhibition. As new.
Santa Fe: Twelvetrees Press, 1987. Folio. Hardbound in dust jacket. First edition, deluxe issue. One of 50 numbered copies signed by Clemente. Profusely illustrated throughout, many in color. As new in publisher's slipcase with an elaborate intertwined serpent design printed in silver and black (still shrink-wrapped). A handsome production.
Rome & London: Gianenzo Sperone & Anthony d'Offay, 1981. Small folio. Hardbound in illustrated boards. First edition. One of an unspecified number of copies signed by Clemente. A handmade book printed in India. Color plates of Clemente's work interspersed with hand-printed illustrations, with front and back boards that fold out. Fine.
NY: RAW, . Hardbound, issued without dust jacket. First edition. Coe's homage to Malcolm X, published as "Raw One-Shot #6." Profusely illustrated by Coe with text by her and Art Spiegelman. Tiny indentation to top of front board, else near fine.
NY: Ex Libris, 1983. Small 4to. Softbound issued in dust jacket illustrated with Dada imagery. Preface by Arthur Cohen. Introduction by Trevor Winkfield. Landmark bookseller's catalog listing Dada rarities offered for sale. Illustrated with photographs. Few faint specks of foxing to front cover, dust jacket spine slightly faded, near fine.
Kathmandu, Nepal: [Bardo Matrix], 1975. Broadside on handmade rice paper. First edition. Illustrated with charming small woodblock prints. Features poems by John Fungi, Jigme Limpa, Ira Cohen, Angus Maclise, an announcement for an Ira Cohen photography exhibit, and more. The Spirit Catcher Bookshop was started by John Chick and others...
[Kathmandu, Nepal: Bardo Matrix, 1975]. Printed folded with 14 loose sheets of rice paper in various sizes printing poems and woodblock prints illustrated with rubber stamps. First edition. Superb presentation copy inscribed by Cohen to his close friend, collaborator, and fellow Bardo Matrix member Dana Young on the first day...
[Staten Island: ADCO Enterprises, 1982]. Oblong 32mo. Softbound. Second printing. Artists's book featuring photographs of a gravestone accompanied by a short story titled "Confirmation." Very near fine.
n.p.:n.p., . Features a handsome Jess collage printed in four colors. As new (10" x 13").
[SF: White Rabbit Press, 1967]. 4to. Spiral-bound wraps. First edition. Limited to 500 copies. Text by Duncan, profusely illustrated (including the cover) by Jess. Fine.
LA: Ferus Gallery, 1962. The poster is illustrated with a photo of Conner's important early "funk" assemblage "Portrait of Allen Ginsberg" a work that, like many from this period, utilized objects (in this case tin cans) shrouded in tan nylon stockings. This exhibition was an early one for Conner and...