LA: Fred Hoffman Gallery, 1989. Text printed in white and black against a red background. Couple of soft creases to top right corner, near fine (5.75" x 8.5"). More
NY: Institute for Art and Urban Resources, [1980]. The front of the card features a photo of two faces and the word "Nature." A very early show for Kruger---her sixth exhibition. Addressed for mailing. Fine (3.5" 8.25"). Rare. More
NY: Printed Matter, ca. 1985. The matchbook features a b&w photograph of some men fighting along with the text: "You construct intricate rituals which allow you to touch the skin of other men." Included is Printed Matter's original illustrated advertising flyer for the matchbooks. Fine (touch of wear to the..... More
Koln: Monika Spruth Galerie, 1987. Red text printed on white stock. An early European show for Kruger. Fine (ca. 4" x 8.25"). More
NY: Mary Boone, 1994. The front of the card shows Kruger's photo of a jumble of nails and a couple of boards. Included is a press release on Mary Boone letterhead to Kim Levin at the Village Voice. Kruger was the first female artist to be handled by Mary Boone..... More
NY: Mary Boone, 1991. The front of the card features Kruger's "It's Our Pleasure to Disgust You" image showing a naked woman wearing a gas mask while nailed to a cross. Kruger was the first female artist to be handled by Mary Boone. Included is a press release on Mary..... More
NY: Mary Boone, 1989. The front of the card features a color photograph by Kruger of blooming flowers in the midst of which is a small red box with the words "Jam Life Into Death." Kruger was the first female artist to be handled by Mary Boone. Fine (8.25" x...... More
NY: Franklin Furnace, 1979. The front of the card features a b&w photograph by Kruger of a car seat with seatbelts and a banana on the floor. A very early card---Kruger's fifth exhibition. Addressed for mailing. Fine (4" x 6"). Rare. More
NY: Mary Boone, 1997. The front of the card shows a photo of Eleanor Roosevelt with the words "Not Ugly Enough" and the back features a photo of Malcolm X with the words "Not Angry Enough." Printed glassine insert laid-in stating that this invite is for the opening night party..... More
NY: Bantam, [2000]. Hardbound in dust jacket. First edition. Signed by the author. As new. More
London & Basel: Institute of Contemporary Arts / Kunsthalle, 1983. 4to. A terrific catalog for Kruger's first major exhibition in Europe that traveled to several locations. Almost entirely devoted to dynamic full-page reproductions of Kruger's work, with supplementary essays by Craig Owens and Jane Weinstock, among others. Includes an exhibition..... More
n.p.: Privately published by the artist, n.d. The two photographs are printed on a single sheet, one shows Pablo Picasso with Peter's handprint and other embellishments, the other features Andy Warhol in Montauk on his birthday in 1972 with painted enhancements by Beard. Presentation copy inscribed by Beard to Sam..... More
n.p.: Privately published by the artist, n.d. The photograph shows three different views of a lion with a painted border by Beard. Hanging on the walls in the background are framed works by Beard. Presentation copy inscribed by Beard to Sam Green. Along the top edge Beard has written: "Special..... More
NY: Studio 54, 1982. A single quarto sheet of card stock featuring the iconic Studio 54 logo printed in white and gold against a black background. Signed on the verso by Andy Warhol. Shortly after its opening, Studio 54 quickly became the most infamous and exclusive club in the city..... More
NY: The Time is Always Now, ca. 1999. Single quarto sheet folded to make four pages. Prints a long essay on Beard and his work. Fine. More
Madrid: Museo Nacional de Ciencias Naturales, 1999. The front features an exuberant color collage of Beard's photographs and scrapbook pages. Fine (ca. 8.25" x 4"). More
NY: Rizzoli, 1999. Reproduces Beard's self-portrait that appears on the cover of the book. A couple of minute scuffs to the front, else about fine (6" x 4.25"). More
[Paso Robles, CA]: Nazraeli, [2018]. Oblong 4to. Hardbound in photo-illustrated boards, issued without dust jacket. First edition. Introduction by Alexander Nemerov. Signed by Hido. Hido's photos document the bleak, beautiful wilderness of Northern Europe with 48 lovely plates printed in oversize format, including two vertical gatefolds and a large fold-out..... More
[Portland]: Nazraeli, [2010]. Oblong 4to. Hardbound in photo-illustrated boards. First edition. Signed by Hido. Very evocative, atmospheric landscape photos taken along deserted back roads often shot directly through the windshield veiled with rain, fog, or ice. As new. More
LA: Kohn Gallery, [2016]. 4to. Hardbound, issued without a dust jacket. First edition. Terrific book on Berman profusely illustrated throughout. Published on the occasion of an exhibition. As new in publisher's shrinkwrap. More
Chicago: Doolittle, 1973. These pages correspond with the period Brautigan was writing "Willard and His Bowling Trophies." Brautigan's first notation is on June 21st and the last is on September 26th. We strongly suspect that these pages represent the entire period during which Brautigan wrote the book because for the..... More
NY: Tony Shafrazi Gallery, 1991. The inside of the card features a color reproduction of a work by each artist (7.25" x 7.25" folded). Faint strip of even toning to edge of front cover, else fine. More
Venice: L.A. Louver Gallery, 1979. In addition to works by Berman the exhibition featured graphics by Sol Lewitt, Cy Twombly, Robert Motherwell, James Rosenquist, Chis Burden, and others. Features text on one side and a photo of a sculpture on the other. Sunning to one edge, else fine... More
n.p.: Privately published, 1979. Single 16mo sheet folded to make four pages. Front and back covers reproduce Berman verifaxes of hands holding transistor radios, inside features the poster for his Ferus Gallery show and another work by Berman with a small photo of him. Faint touch of sunning to top..... More