Newark, DE: University of Delaware Library, 2020. Large 4to. Broadside poem. First edition. Illustrated. Published on the occasion of the exhibition Beat Visions and the Counterculture. Beautifully printed letterpress by Lead Graffiti. As new. More
SF: La Mamelle, 1976. Tabloid folded as issued. "Special Catalog Edition: International Rubber Stamp Exhibition." Entire issue devoted to rubber stamp art and the exhibition in San Francisco. Contributions by Ray Johnson, Anna Banana, Joseph Beuys, Ken Friedman, et al. Fine. More
n.p.:n.p., [1970]. The blowfish (yes, an actual blowfish) was delivered to Plunkett by their mutual friend "Marilyn" around 1970. It was enclosed in a white cardboard box with the the following instructions written boldly in Ray Johnson's hand with a red magic marker: "MARILYN--THIS BOX IS FOR ED PLUNKETT" and..... More
NY: Willard Gallery, 1967. Illustrated with a photograph of Johnson's works. Creased where folded twice as issued, else near fine (19" x 15"). More
NY: Privately published, 1968. Legendary mimeo mag edited by Diane di Prima and LeRoi Jones. An important showcase for Beat, Black Mountain, New York School, and other avant-garde writers. Includes Lamantia, Lenore Kandel, LeRoi Jones, et al. Horizontal fold from mailing, ink stain to one page probably from printing process..... More
[Tucson]: Nazraeli Press, [2007]. 4to. Bound in three-quarter leather and linen-covered boards. First edition, deluxe issue. One of 50 copies signed by Kenna with a signed numbered and matted original silver gelatin print enclosed in a folding chemise (the photo is mounted to the matte using corner mounts so it..... More
Tokyo: Fiction, Inc., 1996. Hardbound in photo-illustrated boards and clear yellow acetate dust jacket. First edition. Photographs of edgy, pierced, gun-wielding, tattooed nudes from the NYC art and music scene. Published by a gallery as a way to get around the Japanese censors. Rubbing to edges of boards (as usual)..... More
[NY: Beelzebub Books, 1959]. Second printing of this softcore men's magazine flagrantly exploiting the then current beatnik phenomena. Published as Beelzebub Books No. 1. "An uncensored, unexpurgated expose of the 'BEAT GENERATION'." Sensational articles on the Beat phenomenon such as "Shook-up Shebas and Be-Bop Babes" and "Beat Broads Curiously Cavort."..... More
n.p.: Privately published, ca. 1972. 4to. Broadside. First separate printing of this piece that originally appeared in The Last Supplement to the Whole Earth Catalog. Prints four b&w photos of Kesey wearing a helmet and sunglasses while rubbing cornstarch on his privates. Printed below is a statement by Kesey explaining..... More
[NY]: Viking, [1992]. Hardbound in dust jacket. First edition. Signed by Kesey in silver marker. Very fine. More
Paris: Galerie 1900-2000, 1995. Oblong 16mo. Pamphlet. Catalog for Klein's 1995 show at the Galerie 1900-2000. Text printed in blue, with lots of photos of Klein. About fine. (French text.). More
Dusseldorf: Galerie Schmela, 1964. Oblong sheet of cardstock tri-folded to make six panels. Prints an essay by Otto Piene, a photograph of Klein, a color reproduction of one of his works, a photo of a letter from Klein, and exhibition info. Fine. Measures ca. 6" x 24.5" unfolded. (German text.)..... More
NY: Sidney Janis, 1986. 4to. Pamphlet. Illustrated throughout including some full-page color plates. Prints an excerpt from a biographical essay by Sidney Janis and includes a list of works in the exhibition. A few pin-head-size abrasions to covers, else about fine. More
NY: Galerie Gmurzynska, 1997. The card reproduces a color work by Klein. Slight toning to edges, else fine ( 8.25" x 7.75" folded). More
Paris: Centre Georges Pompidou, 1983. The front and back of the card feature a photo of Klein, with white text against a blue background inside. Faint touch of toning to edges, small stress crease, else near fine (6" x 8.25" folded). More
Paris: Centre Pompidou, 2007. Illustrated with Klein's "Globe Terrestre Bleu" printed on thick black stock. Fine (few tiny specks of wear and touch of rubbing much exaggerated by the scanner, presents as fine in reality). Measures 5.75" x 8.25" folded. A handsome invite. More
Austria: Mumok Museum, 2007. Illustrated with one of Klein's blue sponge works. Fine (8.25" x 5.75" folded). More
Paris: Galerie de France, 2004. The poster features a photograph of Klein painting with a flamethrower. Fine (15" x 11.75" unfolded). More
Germany: Privately published, 1976. Oblong gold card with text in black. Some moderate creasing, very good (4" x 8.25"). More
Bremen: Neues Museum, 1996. The front of the card shows a photograph of Klein throwing gold into the Seine, with exhibition info on back. Fine (4" x 5.75"). (German text.). More
Koln & Dusseldorf: Museum Ludwig/Kunstsammlung Nordrhein-Westfalen, 1995. Illustrated with a photo of Klein and some of his works. Fine (8.25" x 19.25" unfolded). (German text.). More
Paris: Centre Pompidou, 2007. Reproduces the photograph of Klein's famous "leap into the void" along with texts about the exhibition. Fine (8.25" x 22.75" unfolded). (English text.). More
Germany: Privately published, 1968. A beautiful poster almost entirely devoted to reproducing one of Klein's "Bas-Relief" works done in his IKB color. Exhibition info at the bottom. Folded in eighths as issued, else fine (32.5" x 22.75"). A striking poster reproducing an image that epitomizes his work... More
Germany: Kaiser Wilhelm Museum, 1973. Silkscreen poster reproducing a large monochrome yellow square on the left, with exhibition info on the right. Folded in eighths as issued, 1-inch tear and some creasing at intersection of one fold, else near fine (23.5" x 32.75"). More
NY: Mary Boone, 1994. The front of the card shows Kruger's photo of a jumble of nails and a couple of boards. Kruger was the first female artist to be handled by Mary Boone. Fine (7" x 7" folded). More
