Chicago: Nelson-Hall, [1978]. Hardbound in dust jacket. Second printing. A selection of papers on the "results of controlled laboratory experiments into the effects of marihuana on humans and animals." Includes Baudelaire's "Les Paradis Artificiels." Fine in slightly used dust jacket. More
[San Diego: Greenleaf Classics, 1965]. First edition of this Paperback Original. Issued as part of the notable '60s James Bond sleaze parody series. Terrific Robert Bonfils cover art showing agent 0008, gun-in-hand, barging into a dimly-lit room with scantily-clad, unconscious (presumably drugged) women strewn across the floor. "Meet 0008---Peerless Lover..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. The Diggers request help from the hip community to bring their "hotel" up to code asking: "Please help. It will be free to all when it's done." They go on to explain their intentions to "have an all night center, sack out..... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Self-deprecating sentiment intended to warn the hippie community of the danger of looking for leaders. The Communication Company and the Diggers were very influential in the Haight-Ashbury scene while often being critical of it. Three-hole-punch to left edge as issued, else very..... More
![Handbill proclaiming: ''Emmett Grogan is Back! so what [signed] the diggers.''. Chester ANDERSON,...](/pictures/thumb/SKB-15436.jpg?v=1590617736)
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Emmett Grogan was the "leader" of the Diggers and his philosophy of "everything for free," his guidance of the hippies in the Haight, and his avoidance of celebrity culture made him one of the most intriguing and influential counterculture figures during this..... More
[SF: Communication Company, 1967]. 4to. Broadside. First edition. Prints an anonymous poetic statement (in full): "If I am doing it at all, its for love not for oil. I love crusaders! Whoes got the grail! If its full of oil there's a better one made its new and its theory..... More
[SF]: Privately published by the Diggers, [1967]. First edition. Richard Brautigan phoned Moscoso on behalf of the Diggers and asked him to contribute a flyer for the Invisible Circus. "Any job for the Diggers was a donation, and Moscoso, currently working in color, scaled back his palette. He selected a...... More
[SF]: Communication Company, [1967]. 4to. Broadside. First edition. Scheduled to take place at the Glide Memorial Church the Invisible Circus was billed as "a 72-hour environmental community Happening" presented by the Diggers who wanted it to be the best party the Haight had seen. The Communication Company's gestetner machines were..... More
Buffalo: Committee on Public Service of the Advertising Women of Buffalo, ca. 1969. 8vo. Printed on both sides, illustrated. The flyer is aimed at concerned parents who may be worried that their kids are using drugs: "Is Your Child Carrying a Cigarette or MARIJUANA? Aspirin or DOPE?" Advertises "Analysis Anonymous"..... More
No place: no publisher, 1961. Pamphlet. First edition. Cover illustration of an abstract beatnik face. Entirely devoted to printing a long unattributed song that includes a bit of beatnik slang and a few beatnik references. Illustrated with small drawings that embellish the text. Near fine... More
[San Jose: Mex-I-Can-Ink Publishing, n.d. ca. 1979]. Pamphlet. First edition. Slang terms from the Pachuco counterculure movement that originated among the Chicano and Mexican-American community in El Paso in the late '30s and eventually migrated to LA. A group associated with jazz and swing music, zoot suits, dancing, tattoos, and..... More
n.p.: n.p., n.d. [ca. 1970's]. Oblong 16mo. Softbound. First edition. Scarce photographic "study" with unintentionally humorous text featuring accounts of people's experiences with this lifestyle. Retro '70s vibe and tame by current standards. A difficult title. A couple of small cracks to spine but binding solid, else near fine... More
No place: MGM Records, [1959]. 45rpm record in picture sleeve featuring a small reproduction of the poster for this Beat exploitation film starring Mamie Van Doren (and in which Gregory Corso has a cameo). "The Wild World of the Beatniks!" Tiny remainder drill hole through sleeve and record label, else..... More
England: Columbia Graphophone, 1960. LP record. The soundtrack for this exploitation film about the British youth rebellion of the '50s starring pop idol Adam Faith and Gillian Hills. The film was later released in America as "Wild for Kicks." This was John Barry's first soundtrack, and it was the first..... More
Flushing, NY: The Paris Review, 1983. Notable long-running magazine of art and literature. This issue features a terrific 10-page section devoted to reproducing the Tuxedo suite of works by Jean-Michel Basquiat. This substantive contribution is quite striking with his texts and images printed in white on black stock. Also includes..... More
NY: Tony Shafrazi Gallery, 1987. The other side prints an announcement for a show by Simon Linke. Printed in white, gray, and brown on slick stock. Fine (ca. 8.5" x 6"). A card from during Basquiat's lifetime. More
NY: Mary Boone/Michael Werner Gallery, 1985. 4to. Softbound. First edition. Essay by Robert Ferris Thompson. Catalog from Basquiat's 1985 show at the Mary Boone/Michael Werner Gallery. Nicely illustrated throughout with full-page color plates. Fine. More
Tokyo: Akira Ikeda Gallery, 1985. 4to. Hardbound in dust jacket. First edition. Exhibition catalog printing full-page color reproductions of Basquiat's work. Lovely frontis photograph of Basquiat by Yoshitaka Uchida. One of only 300 hardbound copies (the entire cloth edition). As new. The cloth edition is quite scarce, especially in this..... More
NY: Sidney Janis Gallery, 1983. 4to. Softbound. First edition. Exhibition catalog for this important show at the up-scale Sidney Janis Gallery that featured some of the first works on canvas by noted graffiti artists including Jean-Michel Basquiat, Crash, Daze, Futura 2000, Kenny Sharf, Ramm-Ell-Zee, Keith Haring, A-One, Lady Pink, and..... More
NY: Annina Nosei, 1982. The front of the card features one of the works from the portfolio printed in gray and black on off-white stock. Nosei was Basquiat's first dealer who mounted his first solo US exhibition the same year that she published this, his first print portfolio. Fine (5.5"..... More
NY: Privately published, 1986. Nicely designed printed in black, white, and red against a striking yellow background illustrated with small African motif drawings. Performances by various bands throughout the evening, with art on display by Jean-Michel Basquiat, Keith Haring, Futura 2000, Lady Pink, Ero, and others. Couple of small, light..... More
No place: Privately published by Elmer Batters, ca. 1961. There are LP record covers around the mattress and on the floor, and part of the model's body can be seen reflected in a large mirror on the wall. Elmer Batters was an early master of fetish photography. Fine (ca. 2.5"..... More
No place: Privately published by Elmer Batters, ca. 1961. The model is lying on a mattress with her head resting on pillows as she looks upward directly at the camera. Elmer Batters was a pioneer in fetish photography. Fine (ca. 2.25" x 2.25"). More
NY: The Time is Always Now, ca. 1999. Single quarto sheet folded to make four pages. Prints a long essay on Beard and his work. Fine. More
